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This record-breaking cast allowed the show to explore nuances and complications of queer identity that are typically invisible to outside audiences. “Sexually fluid characters are pretty much coded as ‘basically gay’ or ‘basically straight’ without truly ever exploring the nuance of their sexuality.” Despite the risk of perpetuating stereotypes about queer people, the show also broke down these assumptions by giving an all-queer cast the space to explore their individual identities. “It isn’t common to see bi/pan people navigating their sexuality on screen,” said senior Danny Fier. The show’s tagline reads “come one, come all,” and the cast members and audience members alike worried that the show would uphold harmful stereotypes about bi and pan people-that we are slutty and greedy, sexualized and villainized at the same time. This advertising was questionable at best. This way, “anyone could end up with anyone,” as the show’s host kept repeating, and the odds of successfully finding a perfect match were even lower than before. If everyone in the house correctly identifies their predetermined perfect match by the end of the season, then the entire house splits a million-dollar cash prize.Īmidst popular, aggressively heterosexual shows like The Bachelor and Love Island, the daring twist of this season of AYTO was a cast entirely on the bisexual-pansexual spectrum. These matches are predetermined by relationship experts, and kept secret from the contestants and audience. Every season, AYTO places 16 individuals, typically all straight men and women, in a house to live together, participate in challenges, and work together to find the eight “perfect matches” among them. It is for these reasons that MTV’s eighth season of Are You The One?, a show that celebrates queer love and actively roots for it to succeed, already feels groundbreaking.
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For teens who grow up yearning for queer representation and almost never see it fully realized, trying to find footing within your own queer identity is difficult.
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In light of the 146 queer deaths on TV in 2016, the anger that persisted among fans online was justified. The outpouring of discontent from fans after these deaths and other disappointments is culturally signifcant beyond the shows themselves: fans pointed toward the literary trope “ bury your gays ,” referring to the fact that queer characters are rarer on television than straight characters and then are killed (often visibly and brutally) at higher rates. To see a widely loved, trans-led, highly diverse, and genuinely high-quality show cancelled without reason was heartbreaking, leaving queer fans like me without the satisfying endings that we deserved we were left only with uncertainty and rejection. Other queer stories were left brutally unfinished, which was the case with Sense8’ s cancellation (until it was briefly resurrected for a finale episode after persistent begging from fans). Lexa from The 100 died taking a bullet for her lover in a scene that too-closely mirrored the death of Buffy the Vampire Slayer’ s Tara, another iconic queer character from 14 years earlier. In 2016, four high-profile, well-loved female queer TV characters were killed off in a period of only 30 days.